Scientists have discovered how to "hop" human consciousness into lifelike robotic animals, allowing people to communicate with animals as animals. Animal lover Mabel seizes an opportunity to use the technology, uncovering mysteries within the animal world that are beyond anything she could have imagined.

A writer in a midlife and marital crisis, overwhelmed by his growing children and unable to accept change, meets another woman. A bit half-hearted and unintentionally funny, he tries to do something different.

For shapeshifter Carag and his friends Brandon, Holly, and Lou, a new school year begins at Clearwater High. But first, the Woodwalker Council must decide whether Carag's mentor and patron of the school, Andrew Milling, is guilty of attacking humans. Carag is in a dilemma: he wants to put a stop to Milling's actions, but Milling promises to take him to his true puma family if he covers for him before the council.

In the heart of the tranquil Vosges forests, where lynxes, bears and deer roam freely, Vincent Munier accompanies his father on his expeditions. He not only seeks to capture the visual wonders of this forest kingdom, but also aims to make its sounds audible. Every whisper of the forest is a reminder of the knowledge of nature that his father once imbued in him – knowledge that Vincent now passes on to his own son. Vincent Munier combines breathtaking footage of nature and its sounds to create a fairytale-like cinematic experience that slows time down.

Three stories concerning the relationships between adult children, their somewhat distant parent (or parents), and each other: a reclusive father visited by his grown children in the US, sisters visiting their novelist mother in Dublin, and adult twins called back to their Paris apartment to address a family tragedy.

From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

Life is good for Derya and Aziz, a celebrated artist couple from Turkey, until an incident at their play’s premiere. Suddenly targeted by the state and struggling to balance their ideals with life’s necessities, their marriage is pushed to a breaking point.

Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.

This is the story of Godard making ”Breathless”, told in the style and spirit in which Godard made “Breathless”.